Is the Telugu actor Nani overrated


Bhanurekha Ganesan (born October 10, 1954), better known by her stage name Rekha , is an Indian actress who appears predominantly in Hindi films. She is considered to be one of the best actresses in Indian cinema [3] and has acted in more than 180 films. She received several awards including a National Film Award and three Filmfare Awards. She has often played strong and complicated female characters - from fictional to literary - in both mainstream and independent films. Although her career has gone through some periods of decline, Rekha has gained a reputation for reinventing herself multiple times and has been recognized for her ability to maintain her status. In 2010 she was honored by the Indian government with Padma Shri, India's fourth highest civilian honor.

Rekha, the daughter of actors Pushpavalli and Gemini Ganesan, began her career as a child actress in the Telugu films Inti Guttu (1958) and Rangula Ratnam (1966). Her first main film was made with the Kannada film Operation Jackpot Nalli CID 999 (1969). Her Hindi debut with Sawan Bhadon (1970) made her a rising star, but despite the success of some of her early films, she was often weighted in the press for her looks and weight. Motivated by criticism, she began working on her appearance, striving to improve her acting technique and command of the Hindi language, resulting in a well-publicized transformation. The early recognition of her appearances in Ghar and Muqaddar Ka Sikandar 1978 marked the beginning of the most successful period of her career and she was one of the leading stars of Hindi cinema for most of the 1980s and early 1990s.

For her appearance in comedy Khubsoorat (1980) Rekha received her first Filmfare Award for best actress. She followed with roles in Baseraa (1981), Ek Hi Bhool (1981), Jeevan Dhaara (1982) and Agar Tum Na Hote (1983). While she was mostly productive in popular Hindi cinema, during this time she ventured into parallel cinema, a movement of neorealist art house films. These films included dramas like Kalyug (1981), Vijeta (1982) and Utsav (1984), and her portrayal of a classic courtesan in Umrao Jaan (1981) earned her the National Film Award for Best Actress. After a brief setback in the mid-1980s, she was one of the actresses who started a new trend of women-centered revenge films cited , starting with Khoon Bhari Maang (1988), for which she won a second prize for best actress at Filmfare.

Their work was much less productive in the decades that followed. Her roles in the early 1990s were mostly met with lukewarm reviews. In 1996 she starred in the action thriller Khiladiyon Ka Khiladi (1996), for which she won a third Filmfare Award in the Best Supporting Actress category, against Type in the role of an Underworld Don and also appeared in Kama Sutra: A Tale of Love (1996) and Aastha: In the prison of spring (1997) too critical recognition, but some public scrutiny. In the 2000s she was recognized for her supporting roles in dramas Zubeidaa and Lajja from 2001 praised and began to play parenting roles, including her role in science fiction Koi ... Mil Gaya (2003) and its superhero sequel Krrish (2006)), both commercial successes. The latter turned out to be their most suspect publication.

In addition to acting, Rekha has been a member of the Rajya Sabha since 2012. Her private life and public image have been the subject of frequent media interest and discussion. Her only marriage to Delhi-based industrial and television maker Mukesh Agarwal in March 1990 ended seven months later when he died of suicide. Her pairing with Amitabh Bachchan in a number of successful films from the 1970s was accompanied by speculation about a love affair between the two that featured in her main film Silsila (1981), which reflected media projections. Her public image was often tied to her perceived sex appeal. Rekha is reluctant to give interviews or discuss her life, which led to her being classified as a hermit.

Early life and work

Rekha was born as Bhanurekha Ganesan on October 10, 1954 in Madras (now Chennai) as the son of the South Indian actors Gemini Ganesan and Pushpavalli, when the couple were unmarried. [4] [5] Ganesan was previously married to TR "Bobjima" Aramelu and had four children: the Illinois-based oncologist Revathi Swaminathan, the gynecologist Kamala Selvaraj, The Times of India Journalist Narayani Ganesan, and doctor Jaya Shreedhar. [6] [7] He had two children with actress Savitri -Vijaya Chamundeswari, a fitness expert, and Sathish Kumaar. [7] [8] [9] In the Meanwhile, Pushpavalli had two children (Babuji and Rama) from her previous marriage to lawyer IV Rangachari. [10] Twins and Pushpavalli had another daughter, Radha (born 1955). [11] [12] Nagaprasad and the actress Shubha are their cousins, while Vedantam Raghavaiah and his wife Suryaprabha are their uncle and aunt, respectively. [13] Rekha mother tongue is Telugu, [14] and she is fluent in Hindi and English, revealing she has thought in the latter. [fifteen]

Rekha did not reveal her family background until the mid-1970s. [16] [17] During her unstable childhood, her relationship with her father, Gemini, was poor. Twins did not want to recognize her as his daughter and gave her a living. [18] [19] He rarely met his two children with Pushpavalli, who later married K. Prakash, a cameraman from Madras, and she legally changed her name to K. Pushpavalli. She gave birth to two other children, Dhanalakshmi (who was later married to actor Tej Sapru) and the dancer Seshu (died May 21, 1991). [20] [21] Due to her mother's hectic acting schedule at the time, Rekha would often stay with her grandmother. Asked about her father in an interview by Simi Garewal, Rekha believed he was never aware of her existence. [22] She remembered her mother talking about him often and added that even though she had never lived with him, she felt his presence all the time. [22] [23] Even so, five years after Pushpavalli's death in 1991, the relationship began to improve. [21] He told you Cine lightning Interviewer of his happiness about it and stated: "Rekha and I have such a good relationship. We are really close." [24] He died in 2005. [25]

Rekha was one year old when she had a small role in the Telugu-language drama Inti Guttu played . [26] Directed by Vedantam Raghavaiah, the film was released in late 1958 and became a commercial success. [27] She was enrolled in kindergarten at the age of three and attended the Presentation Convent School in Madras during her teens. [28] [29] She has also met Narayani, twins and Aramelu's second daughter [30] [31] at school when he was around nine or ten years old. [29] Always a clumsy and lonely girl, she admitted that she had childhood obesity. In an interview with The Illustrated Weekly of India from In 1990 she called herself "the fattest girl in school". During this time she developed a love for dances and sports, although she never participated in them because of her weight. [28] Because of this, she was bullied by many of her schoolmates who she Lotta called (Tamil for "bastard"). [29] Rekha, who described herself as a "firm believer" in God and Fate, spent her time in the school's chapel. [28] Another short film role came with the release of Rangula Ratnam (1966) - a political satire popular with the public [32] - with Pushpavalli and sister Radha. [23] [33]

According to her biographer, Yasser Usman, Rekha was asked by Pushpavalli to begin an acting career when her family faced financial hardship in 1968, as the latter was certain it would help them. [22] [34] Although she was never interested in acting, Rekha (who originally wanted to be a flight attendant) obeyed [35] her desire and dropped out of school at the age of 13-14 while she was in ninth grade to pursue a full-time acting career; [34] [a] She later regretted not having completed her education. [37] As a protective sister, she would not let her younger sister Radha come to because she wanted Radha to finish hers off. [22]

Film career

Early roles (1968-1970)

"Bombay was like a jungle and I came in unarmed. It was one of the scariest periods of my life ... I didn't know the ways of this new world ... Every day I cried because I had to eat what I didn't loved wearing crazy sequined clothes and things inside my body. Costume jewelry would give me an absolutely terrible allergy. Hairspray wouldn't come off for days despite all my laundry. I was pushed, literally dragged from one studio to another. "

- Rekha on her first visit to Bombay in 2004 [22]

In late 1968, Nairobi-based businessman Kuljeet Pal visited Gemini Studios to find a newcomer for his new project Anjana Safar (an adaptation of the novel published in 1885 King Solomon's Mines by the English writer and fabulist H. Rider Haggard). He discovered Rekha in the studio and cast her after Vanisri as the second female lead in the film. Pal went to Pushpavalli's house to give Rekha a screen test. He dictated a series of sentences in Hindi, which were rewritten by Rekha in the Latin script, and then asked them to memorize them. A few moments later, Rekha said the sentences in full, and Pal was impressed by her native Hindi speaker. He gave her a five-year contract to star in four of his and his brother Shatrujeet Pal's films, and stated in an interview in 1979: "When I met [she] who was playing a small role in a southern film, I had an intuition that she was would be a star. " [38]

Rekha moved to Bombay (now Mumbai) in 1969 and rented a room at the Ajanta Hotel in the Juhu district, with Pal paying the fee. [39] Also that year she announced her public and media debut, and the hit Kannada film Operation Jackpot Nalli CID 999 in which he starred for the first time occurs , was published. [19] [40] In Anjana Safar directed by Raja Nawathe, she played Sunita, a woman who was forced by her father to travel to Africa in search of a hidden treasure. She received £ 25,000 ($ 350) for her work. [41] Since her mother fell ill at the time, Rekha was accompanied by her aunt to the filming, which began in August this year at the Mehboob Studio. A controversy arose over a kissing scene with Rekha and the male lead Biswajit Chatterjee, which she was not informed about because Nawathe wanted to keep her natural reaction. [42] In later years, Rekha complained about being lured into the scene. [43] The film ran into censorship problems and wasn't released until 1979 when it got the title Do Shikaari received . [44] The kissing scene hit the cover of the Asian edition of in April 1970 Life- Magazine. [45] This prompted American journalist James Shephard to travel to India to interview Rekha, which she saw as an opportunity to advance her career and express her grievance. [46] Has Shikaari at the box office a Underperformance achieved? [47]

Shortly after moving to Bombay in 1969, Rekha was hired by producer and director Mohan Sehgal for his film, the romantic thriller Sawan Bhadon , signed. Filming began on October 11th. He cast her as Chanda, a village girl who does not get permission from her parents to marry her lover Vikram (Navin Nischol) - a role previously offered to Jayshree T. Although her hair was already long and thick, Sehgal forced her to wear a wig. Hence, it did not fit on her hair and her hairdressers (Khatoon and Khateeja) had to shave their hair almost bald. She didn't speak fluent Hindi at the time and most of the film crew mocked her for her South Indian background. [48] Marking her Hindi debuts, Sawan Bhadon was released in September 1970 and became a commercial hit, earning ₹ 20 million (US $ 280,000). [49] [50] Film critics despised her looks, but praised her confidence and weird timing in the film. [51] Manoj Believing this "embarrassment", all scenes with Rekha were shown on Nischol's face [52] and Film world Magazine noted the success of the film was a breakthrough in her career. [53] Amma Kosam , a Telugu drama directed by Kolli Pratyagatma starring Krishna and Krishnam Raju, was released at the end of the year and dedicated it to her mother. [54] [55]

Work in the 1970s (1971–1977)

Rekha then got several offers, but nothing significant, as her roles were mostly only from a glamor girl. [36] [56] She was very productive during the decade, working an average of ten films a year, most of which were considered potboilers and failed to advance her career in terms of roles and appreciation. [57] She appeared in several commercially successful films at the time, including Raampur Ka Lakshman (1972), Kahani Kismat Ki (1973) and Pran Jaye Par Vachan Na Jaye (1974) - according to the author Tejaswini Ganti - "The industry was surprised by its success when its dark complexion, plump figure and garish clothing contradicted the norms of beauty in the film industry and society." [36] [19] In 1975 she appeared in the war film Aakraman as Rakesh Roshan's wife Sheetal, a role Qurratulain Hyder considered cliché, and the critic called it a "clothes horse". [58] Randhir Kapoor's Dharam Karam is a drama about a crook and link - Magazine noted that Rekha is the most `` pathetic '' part from the film. [59] The mafia movie Dharmatma she was the only financial success of the year. [60] [61] Directed by and with Feroz Khan, the film saw her in the role of Anu, Khan's sweetheart. [62]

Rekha recalls that the way she was perceived at the time motivated her to change her looks and improve her role choices: "I became the Hindi because of my dark complexion and South Indian features - Movies referred to deeply hurt when people compared me to the leading heroines of the time and said I wasn't up to them. I was determined to make it big out of sheer merit. " [63] Her physical transformation began in the mid-1970s. She began to take care of her makeup and dress sense, and spent three months improving her acting technique and perfecting her Hindi language skills. [64] To lose weight, she followed a nutritious diet, led a regular, disciplined life, and practiced yoga. She later recorded albums to promote physical fitness. According to Khalid Mohamed, "the audience was devastated when her screen personality and acting style changed rapidly." [65] Rekha began to choose her film roles with greater care. [66] [67]

Rekha's first performance-based role came in 1976 when she starred in Amitabh Bachchan's ambitious and greedy wife Do Anjaane played . [66] It would be her first of many appearances with the actor. [22] Her role is Rekha Roy, the wife of Bachchan's character who becomes an established actress. The shooting took place in Calcutta (now Kolkata) and was completed within a month. Rekha and the other cast and crew would stay at the Grand Hotel. [68] An adaptation of Nihar Ranjan Gupta's novel Ratrir Yatri , directed by Dulal Guha and written by Nabendu Ghosh, was popular with audiences and critics. [19] Film World wrote that she proved herself to be a leading actress in Hindi cinema as filmmakers began to notice her more and cast her in their films. [69] Noticing that it was difficult to stand in front of Bachchan, she talked about how she felt paranoid after knowing he was going to play across from her in the movie. [22] She said he made "dramatic changes" in her life and had a huge impact on her adulthood, describing him as "[someone] I had never seen". [22] [70]

1977 was the third year that Rekha had consecutive commercial success; The action crime Khoon Pasina became for the sixth highest Indian film of the year. [71] In the same year she starred in the comedy drama Aap Ki Khatir , across from Vinod Khanna and Nadira. Her poor girl role won her three awards from a number of film journalists' associations that she did not mention. [72] In a retrospective review for The Hindu sports journalist and film critic Vijay Lokapally suspected that Rekha's role was challenging for her, and appreciated her chemistry with Khanna. A Link- Reviewer praised its social issues. [73] [74] Film World awarded her for her work in Immaan Dharam , an action film that received mixed critical reviews, won the trophy for Best Actress. [75] It shows her as Durga, a Tamil worker who falls in love with the thief Mohan Kumar-Saxena (Shashi Kapoor). [72] [76] Cine flash praised Rekha for having demonstrated her acting talent. [77]

Turning point, fame and parallel cinema (1978–1988)